Read the record. Inspect the craft.
Sources & method

Source basis: Each hosted writing names its date, translator, source link, and manuscript survival notes where available. Sources

Browse this section
Explore this sectionReading section
Sources & method

Source basis: Each hosted writing names its date, translator, source link, and manuscript survival notes where available. Sources

All worlds

The library · Edition and sources

Origen: Against Celsus, Books I–VIII

ANF historical edition · Translated text

Book VI — Chapter LIII

Chapter LIII.

In the next place, mixing up together various heresies, and not observing that some statements are the utterances of one heretical sect, and others of a different one, he brings forward the objections which we raised against Marcion. Edition note 1 And, probably, having heard them from some paltry and ignorant individuals, Edition note 2 he assails the very arguments which combat them, but not in a way that shows much intelligence. Quoting then our arguments against Marcion, and not observing that it is against Marcion that he is speaking, he asks:

Quotation in the text

“Why does he send secretly, and destroy the works which he has created? Why does he secretly employ force, and persuasion, and deceit? Why does he allure those who, as ye assert, have been condemned or accused by him, and carry them away like a slave-dealer? Why does he teach them to steal away from their Lord? Why to flee from their father? Why does he claim them for himself against the father’s will? Why does he profess to be the father of strange children?”

To these questions he subjoins the following remark, as if by way of expressing his surprise: Edition note 3

Quotation in the text

“Venerable, indeed, is the god who desires to be the father of those sinners who are condemned by another (god), and of the needy, Edition note 4 and, as themselves say, of the very offscourings Edition note 5 (of men), and who is unable to capture and punish his messenger, who escaped from him!”

After this, as if addressing us who acknowledge that this world is not the work of a different and strange god, he continues in the following strain:

Quotation in the text

“If these are his works, how is it that God created evil? And how is it that he cannot persuade and admonish (men)? And how is it that he repents on account of the ingratitude and wickedness of men? He finds fault, moreover, with his own handwork, Edition note 6 and hates, and threatens, and destroys his own offspring? Whither can he transport them out of this world, which he himself has made?”

Now it does not appear to me that by these remarks he makes clear what “evil” is; and although there have been among the Greeks many sects who differ as to the nature of good and evil, he hastily concludes, as if it were a consequence of our maintaining that this world also is a work of the universal God, that in our judgment God is the author of evil. Let it be, however, regarding evil as it may—whether created by God or not—it nevertheless follows only as a result when you compare the principal design. Edition note 7 And I am greatly surprised if the inference regarding God’s authorship of evil, which he thinks follows from our maintaining that this world also is the work of the universal God, does not follow too from his own statements.

For one might say to Celsus: “If these are His works, how is it that God created evil? and how is it that He cannot persuade and admonish men?” It is indeed the greatest error in reasoning to accuse those who are of different opinions of holding unsound doctrines, when the accuser himself is much more liable to the same charge with regard to his own.

Read in this edition: source locators and uncertainty marks are retained. Square brackets can mark gaps or editorial interventions; headings and supplied subtitles belong to the edition. Coverage and cautions

About this reading layout

Source wording, punctuation, paragraph boundaries and supplied line breaks are retained. Long prose also has editorial reading breaks at sentence boundaries. Substantial passages already enclosed in double quotation marks are set apart; this does not identify their source or establish a connection.

These added breaks are reading aids, not claims about the original manuscript’s layout. Poetry is lineated only where the downloaded text supplies line breaks. References and edition notes remain with their text.