Read the record. Inspect the craft.
Sources & method

Source basis: Each hosted writing names its date, translator, source link, and manuscript survival notes where available. Sources

Browse this section
Explore this sectionReading section
Sources & method

Source basis: Each hosted writing names its date, translator, source link, and manuscript survival notes where available. Sources

All worlds

The library · Edition and sources

Philo: Who is the Heir of Divine Things?

C. D. Yonge (1854–1855) · Translated text

Section XLVI (part 2)

XLVI. (226) This other point also is too important to deserve to be passed over in silence: that, as there are three vessels among the sacred furniture, a candlestick, a bath, and an altar of incense; the altar of incense has reference to that gratitude which is exhibited for the bestowal of the elements, as has been shown before, since it does itself also receive a portion from these four, receiving wood from the earth, and the species which are burnt from the water; for, being first of all liquefied, they are dissolved into drops of moisture, and vapour from the air, and form the fire the spark which kindles the whole; and the composition of frankincense, and galbanum, and onycha, and stacte, is a symbol of the four elements; and the table is referred to the gratitude which is displayed for the mortal things which are made out of the elements, for loaves and libations are placed upon it, which the creatures who stand in need of nourishment must of necessity use.

And the candlestick has reference to the gratitude exhibited for all the things existing in heaven, in order than no portion of the world may lie under the imputation of ingratitude; but that we may see that every single part of it gives thanks, the elements, the things made of them, and not those only which are made on earth, but also those in heaven.

Read in this edition: source locators and uncertainty marks are retained. Square brackets can mark gaps or editorial interventions; headings and supplied subtitles belong to the edition. Coverage and cautions

About this reading layout

Source wording, punctuation, paragraph boundaries and supplied line breaks are retained. Long prose also has editorial reading breaks at sentence boundaries. Substantial passages already enclosed in double quotation marks are set apart; this does not identify their source or establish a connection.

These added breaks are reading aids, not claims about the original manuscript’s layout. Poetry is lineated only where the downloaded text supplies line breaks. References and edition notes remain with their text.