Read the record. Inspect the craft.
Sources & method

Source basis: Each hosted writing names its date, translator, source link, and manuscript survival notes where available. Sources

Browse this section
Explore this sectionReading section
Sources & method

Source basis: Each hosted writing names its date, translator, source link, and manuscript survival notes where available. Sources

All worlds

The library · Edition and sources

Philo: On the Posterity of Cain and His Exile

C. D. Yonge (1854–1855) · Translated text with edition notes

Section XXXIX

XXXIX. (132) But Rebekkah is found to give her pupil drink no longer by improvement, but by perfection. How so the law will tell us: "For the damsel," says Moses,

Quotation in the text

"was very beautiful to the sight, and was a maiden; no man had known her. And when he had gone down to the fountain, she filled her pitcher, and came up again; and the servant ran forward to meet her, and said, Give me now to drink a little water from thy pitcher. And she said, Drink, my lord. And she made haste, and took down the pitcher on her arm, and gave to him to drink until he ceased drinking, And said, and I will also give to thy camels to drink, until they have all drunk; and she made haste, and emptied her pitcher into the trough, and running to the well, she drew water for the Camels."

Edition commentary

{60}

Edition commentary

{#ge 24:16.}

(133) Here who can help wondering at the minute accuracy of the lawgiver as to every particular? He calls Rebekkah a maiden, and a very beautiful maiden, because the nature of virtue is unmixed and free from guile, and unpolluted, and the only thing in all creation which is both beautiful and good; from which arose the Stoic doctrine, that the only thing that was beautiful was the good.

Read in this edition: source locators and uncertainty marks are retained. Square brackets can mark gaps or editorial interventions; headings and supplied subtitles belong to the edition. Coverage and cautions

About this reading layout

Source wording, punctuation, paragraph boundaries and supplied line breaks are retained. Long prose also has editorial reading breaks at sentence boundaries. Substantial passages already enclosed in double quotation marks are set apart; this does not identify their source or establish a connection.

These added breaks are reading aids, not claims about the original manuscript’s layout. Poetry is lineated only where the downloaded text supplies line breaks. References and edition notes remain with their text.