Read the record. Inspect the craft.
Sources & method

Source basis: Each hosted writing names its date, translator, source link, and manuscript survival notes where available. Sources

Browse this section
Explore this sectionReading section
Sources & method

Source basis: Each hosted writing names its date, translator, source link, and manuscript survival notes where available. Sources

All worlds

The library · Edition and sources

Philo: Allegorical Interpretation, III

C. D. Yonge (1854–1855) · Translated text with edition notes

Section LXIV

LXIV. (182) "And I will place enmity between thee and between the Woman."

Edition commentary

{90}

Edition commentary

{#ge 3:15.}

In reality, pleasure is hostile to the external sense, although, to some persons, it appears to be especially friendly to it. But as one would not call a flatterer a companion (for flattery is a disease of friendship), nor would one call a courtezan friendly to her lover, for she adheres only to those who give her presents, and not to those who love her; so, also, if you investigate the nature of pleasure, you will find that she has but a spurious connection with the external senses. (183) When we are sated with pleasure, then we find that the organs of the external senses in us lose their tone.

Or do not you perceive the state of those men who from love of wine get drunk?--that seeing they do not see, and hearing they do not hear; and, in the same way, they are deprived of the accurate energies of the other external senses? And, at times, through immoderate indulgence in food, all the vigour of the external senses is relaxed when sleep overtakes them, which has derived its name from the relaxation of them. For, at that time, the organs of the external senses are relaxed, just as they are on the stretch in our waking hours, when they no longer receive unintelligible blows from external things, but such as speak loudly and are evident, and which transmit their impressions to the mind. For the mind, when stricken, must recognize the external thing, and receive a visible impression from it.

Read in this edition: source locators and uncertainty marks are retained. Square brackets can mark gaps or editorial interventions; headings and supplied subtitles belong to the edition. Coverage and cautions

About this reading layout

Source wording, punctuation, paragraph boundaries and supplied line breaks are retained. Long prose also has editorial reading breaks at sentence boundaries. Substantial passages already enclosed in double quotation marks are set apart; this does not identify their source or establish a connection.

These added breaks are reading aids, not claims about the original manuscript’s layout. Poetry is lineated only where the downloaded text supplies line breaks. References and edition notes remain with their text.