Clement of Alexandria: The Instructor

Nor are the women to smear their faces with the ensnaring devices of wily cunning. But let us show to them the decoration of sobriety. For, in the first place, the best beauty is that which is spiritual, as we have often pointed out. For when the soul is adorned by the Holy Spirit, and inspired with the radiant charms which proceed from Him,—righteousness, wisdom, fortitude, temperance, love of the good, modesty, than which no more blooming colour was ever seen,—then let corporeal beauty be cultivated too, symmetry of limbs and members, with a fair complexion.

The adornment of health is here in place, through which the transition of the artificial image to the truth, in accordance with the form which has been given by God, is effected. But temperance in drinks, and moderation in articles of food, are effectual in producing beauty according to nature; for not only does the body maintain its health from these, but they also make beauty to appear. For from what is fiery arises a gleam and sparkle; and from moisture, brightness and grace; and from dryness, strength and firmness; and from what is aërial, free-breathing and equipoise; from which this well-proportioned and beautiful image of the Word is adorned.

Beauty is the free flower of health; for the latter is produced within the body; while the former, blossoming out from the body, exhibits manifest beauty of complexion. Accordingly, these most decorous and healthful practices, by exercising the body, produce true and lasting beauty, the heat attracting to itself all the moisture and cold spirit. Heat, when agitated by moving causes, is a thing which attracts to itself; and when it does attract, it gently exhales through the flesh itself, when warmed, the abundance of food, with some moisture, but with excess of heat.

Wherefore also the first food is carried off. But when the body is not moved, the food consumed does not adhere, but falls away, as the loaf from a cold oven, either entire, or leaving only the lower part. Accordingly, the fœces are in excess in the case of those who do not throw off the excrementitious matters by the rubbings necessitated by exercise. And other superfluous matters abound in their case too, and also perspiration, as the food is not assimilated by the body, but is flowing out to waste.

Thence also lusts are excited, the redundance flowing to the pudenda by commensurate motions. Wherefore this redundance ought to be liquefied and dispersed for digestion, by which beauty acquires its ruddy hue. But it is monstrous for those who are made in “the image and likeness of God,” to dishonour the archetype by assuming a foreign ornament, preferring the mischievous contrivance of man to the divine creation.

The Instructor orders them to go forth “in becoming apparel, and adorn themselves with shamefacedness and sobriety,”^{Edition note 1} “subject to their own husbands; that, if any obey not the word, they may without the word be won by the conversation of the wives; while they behold,” he says,

For the labour of their own hands, above all, adds genuine beauty to women, exercising their bodies and adorning themselves by their own exertions; not bringing unornamental ornament wrought by others, which is vulgar and meretricious, but that of every good woman, supplied and woven by her own hands whenever she most requires. For it is never suitable for women whose lives are framed according to God, to appear arrayed in things bought from the market, but in their own home-made work. For a most beautiful thing is a thrifty wife, who clothes both herself and her husband with fair array of her own working;^{Edition note 3} in which all are glad—the children on account of their mother, the husband on account of his wife, she on their account, and all in God.

In brief,

as the sacred Word says by Solomon: “Her husband also, and he praiseth her. For a pious woman is blessed; and let her praise the fear of the Lord.”^{Edition note 4}

And again, “A virtuous woman is a crown to her husband.”^{Edition note 5} They must, as far as possible, correct their gestures, looks, steps, and speech. For they must not do as some, who, imitating the acting of comedy, and practising the mincing motions of dancers, conduct themselves in society as if on the stage, with voluptuous movements, and gliding steps, and affected voices, casting languishing glances round, tricked out with the bait of pleasure.

The noble Samson was overcome by the harlot, and by another woman was shorn of his manhood. But Joseph was not thus beguiled by another woman. The Egyptian harlot was conquered. And chastity,^{Edition note 7} assuming to itself bonds, appears superior to dissolute licence. Most excellent is what has been said:—

“In fine, I know not how To whisper, nor effeminately, To walk about with my neck awry, As I see others—lechers there In numbers in the city, with hair plucked out.”^{Edition note 8}

But feminine motions, dissoluteness, and luxury, are to be entirely prohibited. For voluptuousness of motion in walking, “and a mincing gait,” as Anacreon says, are altogether meretricious.

“As seems to me,” says the comedy, “it is time^{Edition note 9} to abandon meretricious steps and luxury.” And the steps of harlotry lean not to the truth; for they approach not the paths of life. Her tracks are dangerous, and not easily known.^{Edition note 10} The eyes especially are to be sparingly used, since it is better to slip with the feet than with the eyes.^{Edition note 11} Accordingly, the Lord very summarily cures this malady: “If thine eye offend thee, cut it out,”^{Edition note 12} He says, dragging lust up from the foundation.

But languishing looks, and ogling, which is to wink with the eyes, is nothing else than to commit adultery with the eyes, lust skirmishing through them. For of the whole body, the eyes are first destroyed. “The eye contemplating beautiful objects (καλά), gladdens the heart;” that is, the eye which has learned rightly (καλῶς) to see, gladdens. “Winking with the eye, with guile, heaps woes on men.”^{Edition note 13} Such they introduce the effeminate Sardanapalus, king of the Assyrians, sitting on a couch with his legs up, fumbling at his purple robe, and casting up the whites of his eyes.

Women that follow such practices, by their looks offer themselves for prostitution. “For the light of the body is the eye,” says the Scripture, by which the interior illuminated by the shining light appears. Fornication in a woman is in the raising of the eyes.^{Edition note 14}

cries the apostle.

But we enkindle the passions, and are not ashamed.

Some of these women eating mastich,^{Edition note 16} going about, show their teeth to those that come near. And others, as if they had not fingers, give themselves airs, scratching their heads with pins; and these made either of tortoise or ivory, or some other dead creature they procure at much pains. And others, as if they had certain efflorescences, in order to appear comely in the eyes of spectators, stain their faces by adorning them with gay-coloured unguents. Such a one is called by Solomon “a foolish and bold woman,” who “knows not shame.

She sits at the door of her house, conspicuously in a seat, calling to all that pass by the way, who go right on their ways;” by her style and whole life manifestly saying, “Who among you is very silly? let him turn to me.” And those devoid of wisdom she exhorts, saying, “Touch sweetly secret bread, and sweet stolen water;” meaning by this, clandestine love (from this point the Bœotian Pindar, coming to our help, says, “The clandestine pursuit of love is something sweet”). But the miserable man “knoweth not that the sons of earth perish beside her, and that she tends to the level of hell.” But says the Instructor: “Hie away, and tarry not in the place; nor fix thine eye on her: for thus shalt thou pass over a strange water, and cross to Acheron.”^{Edition note 17} Wherefore thus saith the Lord by Isaiah,

—their deformed form. I, deem it wrong that servant girls, who follow women of high rank, should either speak or act unbecomingly to them. But I think it right that they should be corrected by their mistresses. With very sharp censure, accordingly, the comic poet Philemon says: “You may follow at the back of a pretty servant girl, seen behind a gentlewoman; and any one from the Platæicum may follow close, and ogle her.” For the wantonness of the servant recoils on the mistress; allowing those who attempt to take lesser liberties not to be afraid to advance to greater; since the mistress, by allowing improprieties, shows that she does not disapprove of them. And not to be angry at those who act wantonly, is a clear proof of a disposition inclining to the like. “For like mistress like wench,”^{Edition note 19} as they say in the proverb.